Discover, Learn, and Play Jazz Piano
https://www.jazzpianoskills.com
https://www.jazzpianoskillspodcast.com
Contact Dr. Lawrence
drlawrence@jazzpianoskills.com
972-380-8050 Ext. 211 (The Dallas School of Music)
Keywords
jazz voicings, dominant voicings, music education, jazz piano, voicing techniques, music theory, jazz improvisation, piano skills, jazz harmony, music pedagogy
Summary
In this conversation, Dr. Bob Lawrence addresses a listener's question about dominant voicings in jazz piano. He explains his preferred voicing technique, which involves using the third and seventh in the left hand and the 13th and ninth in the right hand. Dr. Lawrence discusses the advantages of this approach, including the ability to easily create altered dominant sounds by sliding down a half step. He also compares this voicing with a more common one, emphasizing that both are effective but he prefers his method for its flexibility. The conversation highlights practical applications and techniques for jazz piano voicings.
Takeaways
The voicing with third and seventh in the left hand is effective.
Using 13th and ninth in the right hand enhances sound.
Sliding down a half step creates a fully altered sound.
Both voicings discussed are valid and useful.
Preference for voicing can depend on desired sound effects.
Practical application is key in learning voicings.
Understanding voicings is essential for jazz improvisation.
Flexibility in voicing can lead to creative expression.
Teaching methods can vary among educators.
Engagement with listeners enhances the learning experience.
Chapters
00:00
Exploring Dominant Voicings in Jazz
02:45
Comparative Analysis of Voicings
04:38
Practical Applications and Techniques